LEILA ADU has been described as 'A Nina Simone for the Noughties', and her two acclaimed albums infuse a broadly 'art-rock' approach with elements of torch song, speakeasy blues, avant garde jazz, gamelan, post-rock textures, and a David Lynch style dreamlike b-movie melodrama. As her website has it, exploring the "dissonant edges of familiar forms", but with that kind of 'dissonance' that they once accused Thelonious Monk or Debussy of, the kind that soon betrays it's own compelling melodic and harmonic logic to the attentive listener...
'Dark Joan', Leila's third album as a solo artist, was recorded in Chicago with the legendary Steve Albini (PJ Harvey, Joanna Newsome, Nirvana, Pixies), and Albini's genius has been to strip her sound back to it's essence, and hold it's most distinctive qualities up to the light. It doesn't hurt that this is by far Leila's most powerful set of songs to date, and if anything we are lead even deeper into her world by the pictures painted with just piano (or in some cases harpsichord or a grime-encrusted electric piano) and that voice...
Capable of anything from delicate heartbreaking purity to a fearsome dramatic power, her powers are seemingly limitless, yet unlike most other singers of her calibre, never does she resort to melodrama or show-boating, or any kind of pastiche, instead she employs her resources fully in the expression of her distinctive musical vision and the deep well-spring of her imagination. Nothing ever sounds as though it could have not been sung...
Download from iTunes, LP/CD from http://www.frizzrecords.com
NOTE THAT WE ARE STARTING AT 9 THIS MONTH, TO MAKE ROOM FOR THE TREMOLO BEER GUT (all the way from Denmark) AND BIG NED (all the way from the black lodge).
The Owls Are Not What They Seem...R & N x
"Anutha Kinda Brotha" is the debut LP from underground legend ART TERRY. Since moving to the UK from his native Los Angeles in the early 90s, Mr Terry has established himself as one of London's characters. Describing Art's sound to the uninitiated usually involves debunking some of the stereotypes of what the 'typical' black Californian might play. Despite his jazz training, and coming of age to the sounds of classic soul and funk, these styles are only a part of his musical vision. His fascination with folk styles, classical music, punk rock, pure pop, easy listening, musical theatre and the European avant garde have taken him on different paths from most...
The result is an orchestral pop record full of sonic inventiveness, whether it's the blend of Shuggie Otis's 60s California and Sun Ra's ancient Egypt on 'Bible', Frankie Valli & The Four Seasons leading a mariachi band on 'Escort', or the Walt Disney music box orchestra of 'Miss Dominatrix', but whilst this is very much a sonic feast, we shouldn't overlook Art's extraordinary lyrical adeptness, and the distinctive character this brings to the proceedings, with a knack for unique and colourful imagery, and how like a great short story writer he is able to paint an engaging picture whilst keeping back from casting judgement on his characters, always leaving open ends for the listener to tie; giving us the feeling that however far astray someone might have gone, there is always sympathy and human feeling for them in Art's mind...
"Modern Mediaeval" is the third LP from singer-songwriter DAVID GARSIDE, and the first to receive the full Frizz Records vinyl treatment. It’s also clearly the most fully-realised statement of his distinctive vision so far…
It’s an easy route to locate David in the tradition of his ‘classic’ influences (McCartney, Nick Drake, Stevie Wonder, Joni Mitchell, The Beach Boys, Love, Talking Heads, Peter Gabriel, Dexy’s…), but there are few songwriters working today that have absorbed these influences so fully, and arrived at a mature style as David has…
This is ’singer-songwriter’ music in the sense that it’s focus is on song-craft and the unfolding of the lyrical vision of a single individual, but if so then it’s definitely at the sophisticated end of the scale (’progressive’ if that term isn’t too loaded…), filed alongside ‘Bryter Layter’, ‘The Hissing Of Summer Lawns’, ‘Pretzel Logic’ or ‘Surf’s Up’...another FRIZZ RECORDS instant classic!
"Modern Mediaeval" can be downloaded from the iTunes Store
The album is also available on heavyweight vinyl LP, or on Digipack CD from www.FrizzRecords.com & all good retailers
come hot as ever
love, Hrafles & Nob xx
Saturday 7 March Wee Red Bar7:30 doors£4
VERSUS: three of Edinburgh’s finest noise-hungry racketeers are set to mash up and pound out a shrill of lug-piercing sonics at the Wee Red. Using a format that’s never before graced an Auld Reekie stage, the Bear Scotland triumvirate of The Foundling Wheel, Dead Boy Robotics and Enfant Bastard will set up concurrently and duel track to track, concocting scintillating aural juxtapositions that ignite the synapses with waves of neuron-transcending clatter.
The Foundling Wheel: builds noise-saturated, melody-laced mountains of programmed polyrhythms and bit-crushed distortion."A one man wail of screeching banshee sonics" – The Skinnywww. myspace. com/thefoundlingwheel
DeadBoyRobotics: spits out call-and-response broken-beat synth-punk at splintering decibles." their oh-so-ironic yelping and synth-prodding wankery is head-splitting " – The Skinnywww. myspace. com/deadboyrobotics
Enfant Bastard: circuit-bending drum-machine-addled anti-folk that can rarely be arsed to finish what it started.“tape crackle hisses away in the background, instruments slop about all over the place, and everyone sounds wasted” – The Skinnywww. myspace. com/cammyjjnr
Bear Scotland Presents